The Museum of English Rural Life is one of the best things to do in Reading. Whether on your own or with friends and family, discover our new immersive galleries, research our collections, refresh in our café and relax in our garden.
Did you know
...city families used to pick hops on holiday?
Hop picking holidays allowed city families to earn money. Pickers were paid with tokens, which were used in local shops or exchanged for wages.
Did you know
...Elizabethan mattresses were used for both childbirth and corpses?
Mattresses, plaited from sedges, were made to support a mother during childbirth or a corpse after death. After use it would have been burned.
Did you know
...farmers used to sow seeds by fiddle?
Sowing by hand can be slow and inaccurate. Seed drills were developed in the 1800s to sow seeds quickly in a straight line at regular intervals.
Did you know
...Lady Eve Balfour (1898-1990) was one of the earliest organic farmers and co-founded the Soil Association?
Women continue to play a key role in this movement, with organic farms employing significantly more women than chemical farming.
Did you know
...Suttons Seeds invented the seed packet?
The local Reading firm, founded in 1806, popularised paper packets of seeds for gardeners.
Did you know
...villages often used to run their own fire services?
The National Fire Service was only created in 1941.
Did you know
Our Country Lives - Latest Blog Posts
Our blog explores the people, places and issues of the historic and contemporary English countryside and rural life, uncovering and exploring our collections, the exciting activity around the MERL and the people we with.
In this guest post, Colin Moore, CMLI, provides some insight into the Michael Brown landscape at the London W2 Brunel Estate. Colin is a Chartered Landscape Architect and Urban Designer who worked as a Clerk of Works for Michael Brown Partnership for a year in 1973-4 and subsequently part-time for 2 years while studying for the MA in Landscape Design at Sheffield University. The Michael Brown archive is part of the Landscape Institute archive which is housed at The MERL, and Colin is currently secretary of FOLAR, the Friends of the Landscape Archive.
The 2019 FOLAR Annual Symposium is Landscape and Children: Design for Children’s Play and includes a presentation on Michael Brown’s work with children by Dr Luca Csepely-Knorr and Dr Amber Roberts of Manchester Metropolitan University. There will be an exhibition of drawings including some from Michael Brown’s collection accompanying the symposium. It will be held on 16 March 2019 at The MERL. For the detailed programme and how to book see the FOLAR website.
The Brunel Estate landscape perfectly illustrates Michael Brown Partnership’s mastery of the design and detail of landscape brickwork. It also illustrates his expertise at manipulating landform and levels to create interlinked enclosed spaces within the landscape.
The Brunel council housing estate was completed by 1974 and is typical of its time. It includes a tower block, 4 and 5 storey slab blocks with 2 and 3 storey terraces, totalling 418 homes with extensive landscaped areas between the buildings. It is a triangular site located west of Paddington station, with Westbourne Park Underground Station at the north-west corner. The north-east boundary is a transport corridor barrier comprising overground Underground lines, main railway lines to/from Paddington, the Westway and Grand Union Canal
The landscape has generally survived very well with a high standard of maintenance. One play area has been replaced, the trees have been thinned, seats and benches replaced and some of the details modified (e.g. around the trees). The larger play area for older children is still there.
It would not be possible to create such a playground now because of increased concerns about safety. In the early 1970s impact absorbing surfaces were just becoming available, in the form of tiles (like carpet tiles and of a similar thickness!). It wasn’t until the late 1970s that jointless impact absorbing surfaces became available. The original design has been modified in an attempt to improve safety by removing the foot holds, step irons and hand-hold posts that enabled children to climb the brickwork from the bottom to the top of the slide, and by replacing the open handrails with closed ones (and adding some more). Arguably, such modifications may have made it more dangerous because playing on the railings (rather than swinging through them) reduces safety by increasing the fall height.
In the early 1970s semi-mature trees were becoming available for planting but few designers were specifying them. On projects where vandalism was likely to be high Michael Brown used predominantly semi-mature trees. The quality of trees was poor compared to now, but most of them survived well and grew well (the dead one on the extreme right of the photo above was replaced under guarantee).
The above photograph was taken from the square area (surrounded by brick slopes) in the middle of the bottom of the plan below, looking towards the left to the treed grass area. The plan is not the as-built or construction drawing as demonstrated by the steps to the right of the photograph where the plan shows a ramp. However, the drawing is detailed in showing detail references (in circles), levels, ramps, steps, brick slopes, paving materials, contours on the grass areas, tree positions (squares variously shaded to denote the size of tree). Interestingly it is all drawn freehand without a straight edge (just using millimetre gridded paper beneath the tracing paper to ensure accuracy of the drawing).
Michael Brown Partnership developed a comprehensive range of standard details which were used for many of the elements of many projects. The brick detailing (particularly the brick slopes) became the practice’s trademark, enabling Michael’s schemes to be easily recognised. This identity was reinforced by the limited pallet of favoured plants (predominantly Platanus x hispanica, Robinia pseudoacacia, Rhus glabra/typhina, Amelanchier canadensis, Vinca minor, Hypericum calycinum).
The repeated use of standard details also enabled continuous improvement from experience as well as modification for particular circumstances and increasing complexity in the detail.
The standard detail drawing below shows axonometric and plan drawings of different edge details for two different steps designs; ie edge details of brick slope (ref 9224) or wall (ref 9301) or edge slopping with nosings (ref 9300); for brick steps and steps with brick risers and slab treads.
Increasing complexity is evident in the above project specific detail for Brunel Estate which shows cross sections across and up a flight of steps of varying tread lengths (normally unacceptable) and an axonometric to show a junction… But the next photo shows it as-built.
In his article in Landscape Design (August 1974, vol. 107, pp. 34-36) Michael described this play area as “… sunken below the general grass level to reinforce enclosure to the space, minimise wear on grass areas where these are adjacent and reduce noise nuisance. The battered slopes and changes of level nevertheless enable the children to reach the grass areas whilst still being reasonably under control without the need for any fence or barrier”.
This play area for younger children was originally beside a One O’clock Club. It has been replaced with a new play area, including substantially filling it to the level of the top of the head of the child on the slide. But, as shown in the photograph below, the brick slopes above that level to the rear and right of the photograph were retained and, where the steps and slide were removed, remodelled with matching brickwork to marry in to the original slopes. A bowtop railing has been added around the area.
Find out more about Michael Brown
We would like to hear from you, particularly if you had/have any connection with the Brunel Estate or Michael Brown. Please contact us!
Yes, we want you to visit Reading.
We don’t have the dreaming spires of Oxford. We don’t have Windsor’s castle. And we don’t have Swindon’s outlet centre.
What we do have is lush coffee, a booming pub and craft beer scene, easily accessible countryside, unique shopping and…a contemporary art installation in a museum about the English countryside which we really want you to see. Seriously, it’s very good, but we thought you might want to see what else we have while you’re in the area.
So, if you’re sick of central, bored of Shoreditch and need a day-trip, get yourself an off-peak Return to Reading and do this stuff:
Let’s have eight cups of coffee
You’re already getting the shakes on the 25-minute Great Western journey from Paddington, and outside Reading station you’re confronted by a windswept square paved with grey redeveloped-in-the-21st-century stone, a tower block and a Pret-a-Manger.
Let’s get away from that, shall we?
Head past the oldest purpose-built railway hotel in the world, up the beautifully bricked Queen Victoria Street, past the Oracle and down to the George Hotel, a 16th-century coaching inn. Behind Dickensian windows on the ground floor is the welcoming glow of Workhouse Coffee, which has the honour of both being one of Britain’s 30 best and buzziest cafes and for being our only café without its own Wi-Fi. Take the time to disconnect, sample their signature blends, chat to the friendly staff and nibble on some absolutely lush pastries.
If you want to tank up, though, try these other places:
- Tamp Culture – we’ve seen it grow from tiny Piaggio Ape to full-blown kiosk. Their key to success? Expertly brewed, consistently excellent coffee.
- C.U.P. are a Reading institution who have an eye for location. Park yourself in either of their two cafes’ window seats for views onto either the medieval St Mary’s church or the Victorian Reading Museum and Town Hall. (they also do really nice speciality teas)
- Depending on the day Lincoln Coffee House may also be open, where you can pretend you work in the City of London as you busily order a mocha and a bagel (but it’s never quite the same).
Shop until you hate capitalism
Reading has shops. We have the only Clas Ohlson left in the country, and a pretty good Gap outlet. But, to be frank, you don’t have to come to Reading to buy a toaster from John Lewis, so let’s move onto what makes us unique.
After your coffee it’s only a short walk through the medieval Market Square and back toward the station, where you’ll find the 1930s Harris Arcade.
This is Reading’s mecca of independent shops. Enter from Station Road and satisfy your fandom cravings at Just Imagine Memorabilia, stuffed floor to ceiling with vintage toys, comics, records and odd bits and ends. Venture a little further and you’ll find Grumpy Goat, Reading’s Cheese and Beer institution, which stocks IPAs, DIPAs, Bitter, red ale, stout, porter, lager, wheat beer, cider, gin and much more in rows and columns and crates of beer which take up every conceivable space. They also run an annual craft beer and music festival at South Street Arts Festival.
Once you’ve stuffed your bag full of local cheeses and jazzy beers, pop into The Sound Machine and spend 30 minutes rooting through vinyl and cheap CDs. They won’t judge you if you walk away with a Destinys Child album. If you’re not a fan of browsing obsolete music formats, you can always pick up a cigar, browse African fashion, have a hat made or get a tattoo in the Arcade too.
If you love shopping and want more, try these:
- get a vintage frock in Frock & Roll
- the latest boardgames from Eclectic Games
- if you’re loaded, some jewellery from family jewellers Jacobs
- The usual suspects on Broad Street, The Oracle Shopping Centre and Broad Street Mall
Lunch your face off
We’ve got two Nando’s. We’ve even got a chicken shop called Fernandos which was sued by Nando’s and is now called Fernandez. But if you want something a little different, Reading has you covered.
Once you’ve had your fill of shopping, wander up Friar Street (named after a medieval friary at the end of the road) and, tucked behind Nando’s, you’ll find a place called Shed. It’s in a former forge, and its first floor becomes Reading’s best cocktail bar Milk after-hours. During the day, though, they sell the most lovingly put-together and tastiest things between two slices than you can imagine. Its popularity shows on weekday lunchtimes as workers near and far queue outside for a Top Toastie, a BBC, the daily soup and Lentil Power.
Shed isn’t the only one flying the flag for interesting, independent food in Reading. If sandwiches and soup aren’t your thing, try these instead:
- Lebanese food at Bakery House on London Street. Get their mixed Shawarma and thank us later.
- C.U.P. (who you may remember from the coffee) also do very decent sandwiches and salads
- The Lyndhurst always has an interesting, delicious menu and you can’t leave until you’ve had their Scotch Egg.
- Picnic are another Reading institution with a nice little cafe off Market Place
- If you’re gluten-intolerant, we have a whole cafe for that called Nibsy’s
Reading has culture?
Yes, Reading has culture. From a thriving local art scene to big names at the Town Hall; from England’s best 6-sided venue to an arts centre saved by the community; and from a Victorian replica of the Bayeux tapestry to England’s national museum on English rural life – repeat after us: Reading has culture.
Reading International has been bringing world-class contemporary art to Reading over the past few years, most notably when they got the likes of Ralph Fiennes down to read De Profundis in Reading Gaol, where Oscar Wilde was imprisoned for homosexuality. They’ve also invited internationally-renowned artist Steven Claydon to place three large sculptural pieces in the Museum of English Rural Life. They’re very hard to miss, made out of cages and bright orange scaffolding enclosing a mixture of our own objects and New Guinean and Melanesian folk objects. As Steven says in our blog:
Objects have a curious way of adapting and enduring through the changes inferred and imposed on them.
I wanted the pieces from my collection to be able to shed new light on the indigenous objects at The MERL through their similarities and their alterity or ‘otherness’; to catalyse a re-reading via an altered context.
After lunch, wander south and down Georgian London Street, past the Shenhai Olympia Ballroom where the Rolling Stones once played, and take a detour through the tranquil University of Reading London Road campus and give us a visit.
If you’re hanging around though, take the chance to laugh, learn and be inspired at these other places:
- Explore the animal kingdom, art, sculpture, biscuit tins and the replica Bayeux Tapestry at Reading Museum
- Book a comedy show at South Street Arts Centre
- Go off the beaten path and visit the University museums: the Ure Museum of Greek Archaeology and the Cole Zoology Museum
Walk it off
We have trees for you to look at. We have rivers for you to stare at swans. We have slightly grim but sometimes nice canal-side footpaths to amble along and avoid bikes on.
But since you’re only here for the day, take a brisk walk back into town and through Forbury Gardens, Reading’s centuries-old gathering space. Relax under the imposing glare of the Maiwand Lion, splash about in sculptural fountains and climb a civil war-mound-which-used-to-be-a-fort. Continue through to Reading Abbey Ruins, the imposing and romantic remains of one of Britain’s most important religious sites and the burial place of Henry I.
If you’re here for a longer day or if you want to come back, try these too:
- Go for a Thames river walk up to Sonning, where you can see about a million swans, maybe some grebes, and end the walk with either a cup of tea or a pint at The Bull Inn
- Go for a wander down the Kennet and Avon canal, formerly the town’s trade artery, and see how many WWII pill boxes you can find
- Take a river cruise up the Thames and visit Mapledurham, a mill and Elizabethan house
- Explore the Green Flag-awarded Whiteknights Park and ogle the mandarin ducks and nice Victorian houses. If you really want a bit of nice go to the Harris Gardens, the University’s botanical gardens and one of the most relaxing places in town.
- If you cycle, take a day-trip into the Chilterns, up the Thames to Goring, out into West Berkshire or into Hampshire. It only takes 15-25 minutes to get out of the sprawl and into some of the lushest countryside around.
Reading is a surprisingly good place to stuff your face.
We defer to our local food blogger Edible Reading for insightful recommendations, but for what it’s worth we’ve collected some things together:
- Pepe Sale is a family-run Sardinian restaurant hidden away in the most Soviet Russia-esque part of Reading, but their quality is obvious in everything they do, from the ingredients, the presentation, the taste and the friendliness of staff. They don’t do pizza though, so if you need a thin-crust fix take the extra time to travel to Caversham and have the best pizza of your life at Papa Gee.
- House of Flavours, in our opinion, is the best place for Indian food in Reading. Ask others though and you may get another answer, but that’s only because there’s a lot of stiff competition.
- If you’re feeling really fancy, go to London Street Brasserie
- Dirty burgers and dirty fries are 7 Bone’s speciality, and Honest Burger deserve kudos for creating locally-inspired burgers and pairing with local breweries
- Tutu’s Kitchen at RISC do the best Ethiopan in town, King’s Grill a mean kebab, Sapana bring a taste of Nepal.
- Really, just look at Edible Reading’s list.
Reading has a thriving bar and pub scene. We’re surrounded by established and up and coming breweries, have brassy new pubs and classic old man pubs, and even some wine bars.
Rather than assume your taste for you, we’re going to give you the best of each:
- Beer: Nothing really beats the CAMRA-award winning Nag’s Head in terms of variety, quality and atmosphere. It’s a pub with a local feel but a beer selection that puts any other to shame. If it’s a bit too far out for you though, the Greyfriar is good for a pre-train pint, the Alehouse is a beautiful timewarp and the Horn is the only one with a jukebox.
- Cocktails: Milk is by far the best cocktail bar in town, and usually has comedy, live music or club nights on the weekend. Try their signature Milk bottle or ask the friendly staff for a recommendation.
- Wine: There are only really two options: Tasting House off Broad Street, which ties in tasting boards with your wine, or Veeno, an Italian wine bar next to Forbury Gardens.
You can also turn yourself into a public disturbance for less than a tenner in no less than three Wetherspoons, an O’Neills, a Walkabout, a Varsity and a variety of other copy and paste boozers.
Go home, but come back
Reading is quietly becoming a good place to eat, drink, experience culture and have a good time. We’re very proud of it and would love for you to come again, but please don’t tell too many people or they might ruin it.
This year at the MERL Annual Lecture we presented ‘Muscle Memory’, a world-premiere performance from award-winning accordionist, singer and clog dancer Hannah James, developed in response to the collections at The MERL and the traditions that have helped shaped them.
One of the key figures in the revival of English percussive dance, Hannah’s musicianship takes her far beyond the tradition and has taken her around the world. Hannah will be performing in a pair of specially commissioned clogs made for her by Geraint Parfitt, one of only a handful of traditional clog makers in the UK.
We commissioned the clogs as part of the Museum of the Intangible project. For this project, we have invited makers, writers and practitioners to produce a range of creative responses to the MERL’s collections as a way of exploring some of the intangible cultural heritage connected with them. This particular commission combines two aspects of intangible heritage – traditional craft skills and performing arts – in the form of clog making and clog dancing. You can read more about the commission in a recent blog. Following the performance, Hannah will use the clogs in performances and after some time in the real world, they will be accessioned into the MERL collections, with an amazing story to tell.
Hannah wrote about the commission on her own blog:
“I was delighted to be asked to create this piece for The MERL but I didn’t realise how deeply personal this project would become to me until I started working on it. Meeting Geraint and seeing how much he lives his craft, as I do, has made the whole process very special. I hope that the piece can communicate the strong connection that we both have to our work, and the importance of keeping crafts and skills alive.”
Watch Hannah talking about his skills:
“I wanted to create a piece which highlights how crafts and skills exist in living bodies; our bodies literally grow into them. We develop particular muscles, calluses and strange dents in our hands and feet through practising them. These are things that can’t be passed on through a book or a video, or an exhibition, they have to be acquired slowly, under the watchful eye of a master, be passed from one living body to another and I fear that, in this modern world, the importance of both human contact and this slow acquisition of skills is being forgotten.”
“Muscle Memory is the story of a pair of clogs, and the lives that brought them into being, lived in them, and left their imprints inside them.”
Watch ‘Muscle Memory’ below:
This performance certainly highlighted how museum objects interact with skills and traditions, but it also did something that only an artistic response can manage: it introduced emotion. A profound tragedy ran through Hannah’s performance: the clogs were not just dead objects but ones that had been murdered. But rather than this being an angry rant against the loss of traditional skills, there was also a joy in the performance. The clogs, the maker, the dancer, the musician are entwined to create something raw and wonderful and enjoyable. Every performance is ephemeral but the best ones leave an imprint on our memories. Hannah’s clog dance will live long in mine.
Guy Baxter, Associate Director, The Museum of English Rural Life
After the performance, Hannah joined MERL musician-in-residence Jackie Oates, Chief Executive and Artistic Director of EFDSS Katy Spicer, and Greta Bertram, Curator of the Crafts Study Centre at the University for the Creative Arts in Farnham, for a panel discussion on how creative responses can help us to understand the different layers of our heritage. The discussion was be chaired by Dr Paddy Bullard, Associate Professor of English and convenor of the Collections Research Network at the University of Reading.
Each panellist spoke briefly on how they feel their work helps people to understand the past, focussing on the museum as a setting for this kind of project, the way performance traditions clarify or obscure our understanding and the role of organisations and how to bring all of these different strands together.
Both the debate and the performance raised important questions about the preservation of traditional skills and of the part they play in the creative economy of the UK. In addition to this, Hannah’s powerful narrative threw the internal conflict of museum practice into sharp relief. In endeavouring to preserve and safeguard heritage through the collecting of material things, museums like The MERL often play a part in the consignment of such material forms to the cultural past. We need to work towards a future where museums and the wider creative industries and arts and heritage sector work together to support and safeguard our pasts for our future. No one can do this in isolation but we hope that many in these communities will retain both the muscle memory of feet tapping to Hannah’s powerful performance and the intellectual vigour and call to arms that lay at the core of a vibrant panel debate.
Ollie Douglas, Curator of the MERL Collections
You can watch the full discussion below:
The aim of this project is to raise awareness of the crafts and skills that are threatened and encourage debate about how to make sure they live on for future generations to learn and enjoy. With that in mind, we also commissioned Hannah to make a clog dancing tutorial to help you get started. You’ll have to find your own clogs, though! (Tap shoes, or any hard soled shoes are great to start with!) You can watch it here and it will also be available for visitors to the Museum.