What's on

Forty Farms

Exhibitions

  • February 11 - November 9
  • Museum opening hours

Summer Family Activity Packs

Events and workshops

  • May 28 - September 19
  • Museum opening hours
  • Ticket prices vary

Paint, Pencil, Print

Exhibitions

  • June 7 - January 25, 2026
  • Museum opening hours

Did you know

...city families used to pick hops on holiday?

Hop picking holidays allowed city families to earn money. Pickers were paid with tokens, which were used in local shops or exchanged for wages.

Did you know

...Elizabethan mattresses were used for both childbirth and corpses?

Mattresses, plaited from sedges, were made to support a mother during childbirth or a corpse after death. After use it would have been burned.

Did you know

...farmers used to sow seeds by fiddle?

Sowing by hand can be slow and inaccurate. Seed drills were developed in the 1800s to sow seeds quickly in a straight line at regular intervals.

Did you know

...Lady Eve Balfour (1898-1990) was one of the earliest organic farmers and co-founded the Soil Association?

Women continue to play a key role in this movement, with organic farms employing significantly more women than chemical farming.

Did you know

...Suttons Seeds invented the seed packet?

The local Reading firm, founded in 1806, popularised paper packets of seeds for gardeners.

Item from the Suttons Sees Ltd. archive collection

Did you know

...villages often used to run their own fire services?

The National Fire Service was only created in 1941.

Blog

Learn about the countryside, past and present. See how we work with people today to share new ways of understanding rural history.

The Friday Walks, with Man in the Woods

We’re now well underway with regular programming for our podcast series, Absolute Units, hosted by MERL curator Ollie Douglas and myself, and supported by Arts Council England through our partnership with Reading Museum.

After our previous episodes with the fantastic environmental historian Dolly Jørgensen, this episode we speak with Bristol-based artist Scott, best-known online as Man in the Woods. We discuss Scott’s practice of exploring and documenting rural England, his art inspired by his walks and finds, and how this kind of process can help us to rethink and gently rebuild our sense of ourselves in contemporary 21st-century England.

To accompany the podcast episode, check out several of Man in the Woods’ artworks below that he generously provided this purpose. At the end, find links to follow Man in the Woods online, and see how you can support his work and our podcast.

Artworks by Man in the Woods

The Beast, an artwork by Man in the Woods, of a very large cow: a dark silhouette against a rural background of field and hills.
The Beast, by Man in the Woods
A sampler decorated with trees and cows. It says 'The cows were all at the gate. There was an old woman sitting on the bridge. She said you don't want to have regrets in life. She told me to get a nice big stick. She said I reminded her of her son. The cows chased me into a willow tree.'
Cows were all at the gate sampler, by Man in the Woods
A poster with graphics of hedgehogs, that reads 'hedgehog extravaganza. Hedgehog info + facts. Hedgehog crafts. Guess the name of hedgehog. Tombola. Raffle. Hedgehog t-shirts 4 sale. Village hall 1st Saturday of June. What do you know about hedgehogs? What do I eat? Am I a rodent? Why am I called a hedgehog? Come and find out.'
Hedgehog extravaganza poster, by Man in the Woods
A poster with a very large child towering over a very small dog that has just done a poo. The child stands menacingly by a bin. The caption reads: 'A message from the children of Codford: you better bin it.'
Children of Codford print, by Man in the Woods
A hassock of a black horse, stood in a field with a rural backdrop.
Black horse hassock, by Man in the Woods

Follow Man in the Woods

Find more of Man in the Woods’ work on Instagram, TikTok, and Bluesky. Check out his beautiful prints and merch on his online shop.

Listen to Absolute Units

You can listen to Absolute Units wherever you get your podcasts – including Apple Podcasts, Spotify, and all podcast streaming networks.

If you’d like to support the podcast (thank you from the bottom of our hearts!), please leave us reviews and ratings and/or tell your friends, and subscribe!

Have a topic request, or doing research that you think would be a great fit for an episode? Let me know!

Thank you <3

Another brilliant school year

Highlights of our learning programmes from the 2024/25 academic year

Announcing our new Fellow, Dr Jo Clement

We’re delighted to announce the award of a new MERL Fellowship to Dr Jo Clement, an award-winning poet and Lecturer in Creative Writing at the University of Northumbria!

In 2024, Clement collaborated with us to redesign our Making Rural England gallery, bringing the presence of Gypsy, Roma and Traveller people into focus. She designed a new educational resource for schools accessing the exhibition and led on-site workshops exploring the museum with local Gypsy, Roma and Traveller school children.

Jo Clement (a woman with long brown hair and glasses) holds an object at The MERL
Jo during one of her visits to the museum, holding a lawn shoe or overshoe (MERL 59/411/1-2).

Clement’s Fellowship project, The Long Road, will respond creatively to objects and textual material in the Robert Dawson Romany Collection. This collection spans 32 boxes and over 2,000 volumes of literature, ranging from sheet music and legislature to posters, cigarette cards, waggon plans, and a whole range of amazing artefacts.

Clement is an award-winning poet whose first collection, Outlandish (Bloodaxe, 2022), confronts Romantic impressions of British Gypsy ethnicity and lyrically lays them to rest. This Fellowship combines her practice and research-led interventions to decolonise archives and make materials more accessible to the public.

Below, hear from Clement about what her Fellowship will entail, and how you can take part in the months ahead.

The Long Road

My interdisciplinary Fellowship at The MERL offers valuable time and space to deepen my scholarly research into the representation of Gypsy, Roma, and Traveller people in museums and literature. With a practice-led approach, writing poems and creating short films in response to a selection of The MERL’s holdings, I aim to make what UNESCO terms Intangible Cultural Heritage tangible.

Twelve small, decorative charms in a variety of shapes, including a horseshoe, a book, and a hand.
Twelve small, decorative charms in a variety of shapes, including a horseshoe, a book, and a hand (MERL 2023/73/1-14).

An important part of this research is making space for community-led interpretation and response. Everyone deserves a say on how our diverse ethnicities and our cultures are represented and labelled. And you’re invited!

I’ll host an interpretation workshop especially for Gypsy, Roma and Traveller people on 16 April 2025. Together, we’ll discuss how the community is represented in this unfinished painting depicting life on the road and create our own collaborative museum label. My workshops are inclusive, safe spaces and you can join in-person or online. If you’re an individual or represent an organisation and would like to take part, please fill in this form to book a space. I can’t wait to meet you!

Anonymous painting showing Gypsy encampment, with waggons.
Anonymous painting showing Gypsy encampment, with waggons (MERL 2011/6).

Summer feels a long way off, but in June we are officially launching the new exhibition The Long Road. This new permanent exhibition includes materials I’ve curated from the Robert Dawson Romany archive. I warmly invite you to come meet me at The MERL on 14 June 2025. Visit the exhibition and join in my zine making workshop. Together we’ll celebrate Gypsy, Roma, and Traveller History Month. There’ll be readings from new creative work and refreshments in the garden…if the weather holds up!

The MERL is one of my all-time favourite museums. Some highly unusual and truly tantalising objects are waiting to meet you here. Each one tells a different story about how rural England has transformed over the past many centuries.

I’m super proud to continue working with The MERL and spend time exploring all the fantastic holdings in the Robert Dawson archive during my Fellowship. The library collection alone is a treasure trove of the textual and visual materials Dawson diligently kept to help preserve our often misunderstood community.

The MERL truly deserves its Museum of Sanctuary status, which was awarded last year. The staff here are incredibly welcoming and supportive of my research. I can’t wait to spend more time with folks both in and beyond my community to celebrate cultural diversity and build a better understanding of the Gypsy, Roma and Traveller contribution to this country’s rural past, present and vitally, future.

– Dr Jo Clement, MERL Fellow, 2025

Jo Clement is a working-class poet and interdisciplinary maker of Gypsy, Roma and Traveller ethnicity. A Northern Writers’ Award winner, they lecture in Creative Writing at Northumbria University.

BBC Radio appearances include Northern Drift, Poetry Please and Start the Week. ‘Paisley’ was featured on the London Underground as part of the bicentenary of Shelley’s death and was exhibited at the Scottish Poetry Library during the Edinburgh Festival. ‘Listen’ and ‘Existence’ were commissioned for the Memorial to Europe’s Sinti and Roma Murdered Under Nazism. ‘Chicken Blood’ was commissioned by WritersMosaic.

Shortlisted for the John Pollard International Poetry Prize and longlisted for the Michael Murphy Memorial Prize 2023, their highly acclaimed first poetry collection, Outlandish, was published by Bloodaxe Books in 2022.

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  • The Museum of English Rural Life

    University of Reading

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