Quentin Bell, Decorated plant pot, 1951 This pot was made by Quentin Bell, the acclaimed art historian, academic, writer, and potter. It was produced in 1951 and dedicated to a member of household staff at a sprawling Sussex farmhouse called Charleston. It was in this rural locale that the maker’s parents—the painter Vanessa Bell and […]
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Edward Max Nicholson, Birds and Men (London: Collins, 1951) Published in 1951 and penned by conservationist Max Nicholson, Birds and Men was the seventeenth volume in the Collins New Naturalist series and the first of these influential texts to focus on birdlife. This iconic series is said to be the longest running of its kind, […]
Michael O’Connell, Diversity of British Farming Wall-Hangings, 1951 This huge textile depicting Kent is one of nine sections—a key, an introductory panel, and seven landscapes—that formed a 46-metre long display in the Country Pavilion of the Festival of Britain. It was designed by artist Michael O’Connell and the panels made with the help of his […]
Festival of Britain, Thatching tools, 1951 This set of tools was exhibited at the Festival of Britain, where it helped to tell the story of straw in the Country Pavilion. The display also included straw sculptures produced by celebrated maker Fred Mizen. His techniques were derived in part from the art of thatch finials— decorative […]
Set of model ploughs, Festival of Britain, 1951 These ploughs were part of a series of eight wooden models made for the Country Pavilion of the Festival of Britain. Six of the original set still survive. This section of the Festival focused largely on technical progress and there they were shown alongside the latest farm […]
The servants’ ball has had a long tradition in the country house estates of Britain and only really died out after the Second World War.
Peter Shepheard, Landscape design sketchbook, 1951 This sketchbook belonged to architect, planner, and landscape architect Peter Shepheard and dates to January to March 1951. During this time he was working on final plans for the South Bank Exhibition site of the Festival of Britain. His contribution included designing garden-type zones in association with the main […]
Vita Sackville-West, In Your Garden (London: Michael Joseph, 1951) The writer and poet Vita Sackville-West was an influential voice in mid-century rural life. In 1939, the seeds of an idea began to germinate and she grew keen to establish a ‘White Garden’ in the grounds of her Sissinghurst home. These creative plans were interrupted by […]
Exhibition catalogue, Black Eyes and Lemonade, 1951 This catalogue listed the contents of a quietly influential exhibition held as part of the Festival of Britain. An eclectic range of items were assembled by artist and author Barbara Jones, the creative force behind the show. The displays made a powerful statement about the importance and vitality […]