Skip to content

How a mouse died in our Victorian mouse trap

Author
josefinabravo
Published Date
February 8, 2016

If you’ve been on the internet for the past few days then you may have heard about the mouse which died in our Victorian mousetrap.

mouse4

We are very pleased and a little surprised to have gone viral, and since our original blog post have some updates on our rodent friend. For one thing, we think that the mouse is a she. Our conservator believes that she was trying to build a nest and while nibbling the label on the trap, the string attaching it to the object fell inside. Chasing the string, the mouse found itself trapped.

The trap itself operates by a see-saw mechanism in its middle, which allows a mouse to enter the trap but then finds the door has swung shut on it. The owner of the humane trap would then release the mouse afterward. As we don’t expect these traps to be working as mousetraps we don’t tend to check them regularly, hence the fact that the mouse sadly perished in this instance.

Its inventor Colin Pullinger operated what he called the ‘Inventive Factory’, which is where he designed his first commercial success, the Perpetual Mouse Trap. During his most productive period in the 1880s his staff of around 40 men and boys churned out 960 traps a week.

Pullinger’s presence in his hometown of Selsey is denoted by a blue plaque, but now his reputation has experienced a new boost, with many people online praising the effectiveness of his trap in the modern age.

In our previous post we were undecided on what to do with the mouse, but we have now decided to preserve it. The mouse was giving off quite a stink, which suggests that her death was fairly recent, and so was fumigated by our Conservator.

For now, her body rests in a small, tissue-paper tray surrounded by silica gel in a sealed plastic box. The silica gel will dry out the mouse and make it safe for display in our new galleries. The Museum is about to begin constructing our new exhibitions, and it’s safe to say that this mouse will be front and centre.

And for those who have smelled a rat, we can categorically deny that we planted the mouse in the trap in order to gain this publicity. Not only does it go against every rule in Conservation and museum ethics, we don’t think any of our staff are Machiavellian enough to have pulled it off.

Author
madeleineding
/
Published Date
March 6, 2026

International Women’s Day 2026: Hidden histories

Discover the stories of three women curators, collectors, and designers in the 20th century.

Handwriting in a farm letter
Author
Joe
/
Published Date
February 25, 2026

Queer histories in the farm records

What can farm records teach us about same-sex relationships? Researcher Tim Jerrome shares his work exploring queer rural experiences.

Exterior of E.M. Barraud's cottage in Cambridgeshire
Author
lottiewood
/
Published Date
February 19, 2026

“I am the farm worker going home at evening”: gender fluidity, rural landscapes, and the Women’s Land Army

Library trainee Lottie Wood reflects on gender fluidity in the work of E. M. Barraud, and Barraud’s reflections on her time in the Women’s Land Army

"Cluttered Countryside." A pastiche of different technologies and activities that disrupt the English countryside - from cars, to petrol stations, to tourism.
Author
Joe
/
Published Date
February 13, 2026

Voices of the Countryside

Explore our new exhibition celebrating 100 years of CPRE, whose vital work protects and maintains rural English spaces.

The MERL building, as viewed from the garden.
Author
Ollie Douglas
/
Published Date
January 5, 2026

What’s coming up in 2026

This year we’re celebrating the organisations, artists and activists who defend the voices and soul of rural England.

Hedgehog extravaganza
Author
Joe
/
Published Date
July 24, 2025

The Friday Walks, with Man in the Woods

In this episode of The MERL podcast, we speak to Bristol-based artist Scott about his artistic practice documenting weird Britain.