Revealing the Concealed: English Folk Culture and Superstition
During the late medieval and early Tudor era, when superstition about witchcraft and the supernatural was at its height, people in England sought new forms of protection, and, for some, new ways of inflicting harm. It was at this time that many turned to concealing objects. Often found close to entrances, including doorways and fireplaces, […]
A snap chat about new photos of country shows
The next exciting instalment of our current Land and Folk seminar series brings the story of photographer Arnhel de Serra’s ongoing project, The Country Show, to The MERL for the very first time (see here for details). This body of work has been over a decade in the making and is the result of his […]
Autumn is Here: Grab Your Mattock, People!
September. The darker nights are drawing in, casseroles will soon be making a triumphant return to our kitchen tables, and mattocks are having a moment. That’s right, mattocks. The ultimate Autumn tool for farmers everywhere. But what are these mysterious tools, and why have they been so important to agriculture through the ages? What’s the […]
Inspired by the collection: Caitlin Hinshelwood’s ‘Rural Life’ scarf
Caitlin Hinshelwood is a London based textile artist and designer, producing distinctive, hand dyed and screen-printed pieces. She is interested in using motifs and symbols to suggest narrative within her textiles. I am often drawn to the work of unknown makers, objects that have been made for necessity, decoration, or just the love of it. […]
Heritage Crafts at Risk
Written by Greta Bertram, Secretary of the Heritage Crafts Association and freelance consultant. The Heritage Crafts Association (HCA) is a charity which supports and promotes heritage craft skills, knowledge and practices as a fundamental part of our living heritage. In the HCA we’ve long been aware of anecdotal evidence about crafts which have disappeared or […]
Tanya Harrod: Archaic Modernists: Women, Textiles and the Margins of Europe
Paddy Bullard reflects on Tanya Harrod’s seminar as part of the Department of English Literature and the MERL speaker series on the ‘Tangible and Intangible Countryside’ Tanya Harrod is the doyenne of modern folk art studies, and the most distinguished historian and critic of craft working in Great Britain today. She is best known as […]
Interview with Art Collections Officer, Part 1
Volunteer, Whitney continues her series of interviews with members of staff with a chat with Jacqueline Winston-Silk, Art Collections Officer, about her role. Can you give me a little background of the work you do here at MERL? I am based at the Museum and employed by the University of Reading. I manage the University’s Art Collections […]
The 'Lost Modernist': Michael O'Connell
Written by Adam Koszary, Project Officer. We’re asking you to help us decide which of our two wall hangings to display in the new Museum. Both were displayed at the 1951 Festival of Britain as part of a wider series exploring the British countryside, and have not been on public display for over 60 years. […]
An Interview with: Nitisha (Part 2: Conservation)
Following last week’s interview with Nitisha about her work in the Special Collections archives, this week Whitney talks to her about her first role in conservation here at MERL. 1. What made you get involved with conservation? I started volunteering with Fred the Conservator here in the Conservation studio because I wanted to explore conservation. I […]
How we went viral: a good story, good luck and good friends
Written by Adam Koszary, Project Officer. It all started with a story that, five or ten years ago, would have remained within the four walls of the museum and gone no further: our assistant curator found a dead mouse in a Victorian mouse trap. The trap was behind a glass case in our store; it […]